INTERNET ART AS A SPECIFIC ART OF THE WEB

the aesthetic dimension of howard barkers art: a frankfurtian approach to scenes from an execution and no end of blame

رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...

Reflections on the Ontology of Mass Art as Avant-garde Art

The aesthetics of “everyday experience” is made by a paradigm that defines the duality of the Elite art/low-class art by focusing on the art of the majority/minority, based on the desire of the urban middle class, It has been put as the art of the people in opposition to the art of avant-garde. The study is based on reflections on possibility of finding the main origin between the art of the ma...

Critique of Research Books (Art)/ The Art Economics of Art: A Look at Contemporary Art Economics; Markets, Strategies, and the Star-making Systems, Marzieh Eftekhari

The Art of Criticism? Criticism as Art!

The Digital Time of Internet Art

Alexander Galloway in his 2004 book Protocol highlights a moment from philosopher Gilles Deleuze’s 1990 interview with fellow philosopher Antonio Negri. Deleuze writes: “Each kind of society corresponds to a particular kind of machine – with simple mechanical machines corresponding to sovereign societies, thermodynamic machines to disciplinary societies, cybernetic machines and computers to con...